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spinning – Fibreshed Melbourne
Boston Fine Fibres

Down the quiet roads of country NSW, a quiet revolution is occuring. Alpaca breeder Tanya Boston had fallen in love with her alpacas, but didn’t know what to do with their fleece. She asked around at shows: what did others do? “It’s in the shed” was the regular reply. So Tanya decided to do something about it.

After 18 months of research, Tanya and her husband Jim decided to purchase a Mini Mill from Belfast Mini-Mills in Canada.  Following some intensive training and another 12 months of practice, Tanya opened her own mini mill. She mostly services southern NSW and ACT, but has also delivered to Queensland, Northern NSW, Victoria, Western Australia and Tasmania. Boston Fine Fibres processes batts and roving and yarn from 2-8 ply for breeders to sell under their own name. Jim knits beanies from the yarn to sell at farmers’ markets, while Tanya’s rug yarn and lopi are very popular.

Being a mini mill, it’s possible for Tanya to process small orders – orders as small as a single saddle. It’s a time consuming process though. There are 12 pieces of machinery the fibre needs to pass through during processing, a journey that takes around 4 days to complete each fleece. There’s also the four hour downtime whenever Tanya cleans the equipment to change fibre colours. Tanya’s background in quality control and quality assurance is evident in the care she takes to trace each order throughout the process.

The mill runs entirely on roof-harvested rainwater and solar electricity. Because alpaca wool doesn’t contain lanolin, like sheep’s wool,  Tanya is able to use a gentle detergent and all the mill’s grey water can be recycled to their orchard and paddock. Sustainability has been considered in the mill’s packaging, too: Tanya uses tissue paper and brown bags in preference to plastics.

A big part of Tanya’s work is education. She works with her clients and shearers to help them understand what she needs to get the best out of the fibre. A fleece can lose up to 20-30% of its weight during processing, depending on variables such as how it was skirted. She maintains an open invite to clients and community groups to come visit the mill and learn about the process. She will also provide advice on what products clients could consider making from their fibre.

Luckily for Tanya, as a mini mill operator running Belfast Mill equipment, she can access her own education network. There are 79 mills around the world using Belfast Mill equipment, each have a different approach but they all welcome each other and share information.

Tanya feels the nearby national capital of Canberra provides a good market for the region’s fibre products. After all, the climate means that people are wearing woollens for nine months of the year. The population of public service workers means a lot of black which are beautifully complemented by the range of natural alpaca accessories. Tanya sells her yarn online and though a limited number of specialty yarn retailers.   

In the future, Tanya would like to process more of her own specialty yarn. She’d blend different natural alpaca colours to create heathered and verigated yarns. She would also blend other natural fibres like llama, camel, cashmere, suri and bamboo. Blending dyed silks gives her particular pleasure “you’re really making something special”.

The Facts

Product – Semi-worsted yarns, blended yarns, rovings and batts

Maximum Capacity – 500kg/year

Min Order – 1kg

Max Order – 20kg

Staple Lengths – 50-150mm

Lead time Required for Orders – 6 months

Current Fibre Types Processed – willing to take any fibre, including suri

Prototyping Fibre Types Requests – all natural fibres welcome

Yarn Price – From $132 per incoming kilo  alpaca

Restrictions – Must be well skirted and free of vegetable matter

Water Use – all water collected and reused onsite

Waste Water Impacts – all water collected and reused onsite. Improvements made to soil lead to less runoff and greater retention.

Energy Supply: 100% Solar energy


Tanya and Jim

Phone: +61 (0) 417 497 940

Location: Queanbeyan, NSW


This site visit was generously supported by Fibreshed California and photographed by Andrew Lance. Authored by Rachel Bucknall.

Great Ocean Road Woollen Mill

It is not your typical location for a wool mill. Located close to the state’s tourist highway with local fibre becoming of increasing interest to visitors, Nick and Isabel see opportunity in being part of the tourist trail.  Indeed, the renowned food credentials of the area prove that the locals are good at bespoke, gourmet products.

The yarn produced at the mill is exactly that. Using only natural colours from selected local farms, Nick and Isabel showcase the best Australian fibre products. They produce a range of yarns in wool and alpaca blends and are famous for their  on-trend chunky yarns. Some of their product is hyperlocal, sourced from their own alpaca, farmed on site and available for photo shoots with adoring customers.

We were invited to participate in the making of the mill’s latest yarn collaboration, with local wool farm Tarndwarncoort: ‘The Henry’. This chunky 14ply yarn combines the silkiness of white alpaca with the strength and loftiness of Polwarth wool. We helped out where we could, probably making Nick and Isabel’s job harder! We followed the making of the yarn from cleaning the wool and alpaca, blending, spinning the individual threads and plying into the finished yarn.   Here’s a look at what we got up to:

The Mill

You get the sense that the recently opened mill has begun to find its rhythm. Isabel and Nick have worked hard at fine tuning all of the machinery to produce a premium, unique product.  Nick puts this down to a willingness to play and experiment. They are willing to try any fibre combinations that come to hand.  This commitment to the machinery is matched by business acumen and a clarity of goals. Isabel’s drawn from her business background and pure grit to see their vision come to light.  

The mill is committed to efficiency of resources.  Nick and Isabel are “not Greenies” but the lack of access to mains water, sewerage or regular rubbish collection means that every decision weighed against its impact on the land. The farm makes use of low waste, low resource use and positive impact solutions. No dyes or chemicals are used in the mill so waste water can entirely be reused on site.  All of the water used on farm and in the mill is collected rainwater. Any fibre waste is resourcefully reused as a felted product or in the garden.   Incredibly, their 3kW solar system comfortably covers the farm and mill’s energy needs – this is less energy than the average 2 person family uses!

The Farm

Nick and Isabel have improved the farmland since its previous use as a horse farm and dairy. The soil was compacted and prone to flood when Nick and Isabel moved in. Their implementation of lower stocking rates, paddock rotation of the alpacas, rest for the soil and planting of native vegetation plots has meant that the pasture is now spongy and soft. The alpaca, both suri and huacaya, were happy to come up to us and show off their lovely locks. Great Ocean Road Mill alpaca are bred for dense (2kg) fleece in a range of colours. Keeping them company are two visiting merino sheep, one black. Historically unwanted, coloured sheep are invaluable to mills working with coloured fibre.

The Yarn

The mill’s standard product is a semi-worsted yarn. They also stock rovings, batts and felt products. Excitingly, they have just finished a trial worsted yarn, using carded and combed fibre from Cashmere Connections.

Great Ocean Road Mill produce their own product and take yarn commissions.   You can buy their products  online and at select retailers. Catch Isabel and Nick at most of the big fibre markets.  The mill is open to visitors and with a little notice and you can organise a tour.

The Facts

Product – Semi-worsted yarns, rovings, batts and felt

Maximum Capacity – 3,000kg/year

Min Order – 1kg (note that there will be a minimum loss of 65g for each run plus more depending on cleanliness)

Max Order – 120kg (larger orders will be considered on request)

Ideal Order Size – 5-20kg

Staple Lengths – 7-15cm

Lead time Required for Orders – Winter – 4 weeks; Summer – 2 weeks.

Processing Time – 10 hours of machine time

Current Fibre Types Processed – wool, alpaca and mohair.

Prototyping Fibre Types Requests – all natural fibres welcome

Yarn Price – $24-25/kg alpaca and blends

Restrictions – No dyes, natural fibres only

Water Use – all water collected and reused onsite

Waste Water Impacts – all water collected and reused onsite. Improvements made to soil lead to less runoff and greater retention.

Energy Supply: >95% onsite solar, plus gas. 

The Farm

Area – 8 hectares (20 acres)

Stock – 19 alpaca, 2 merino + 3 agistment alpaca

Seasonal rotation

Own hay as feed

Minimal drenches 

Use no chemicals or soil additives


Nick and Isabel

Phone: +61 (0) 458 717 260
Address: 1580 Cobden-Warrnambool Road
Ecklin South, Victoria, 3265


Cashmere Connections

I stood outside Cashmere connections, pondering their sign. It promised to process cashmere, angora, alpaca and cashgora. What is cashgora?! Is that an animal I haven’t heard of yet?

I called Trisha to let her know I had arrived; she came out from the workshop to let me in. She’s friendly and casual, but is a wealth of information and a patient explainer! We walked to the storage area, so I could see where the process begins.

The business

A cashmere farmer, Trisha and her husband developed Cashmere connections as a way to add value to their fibre product. They buy fibre direct from farmers and have it scoured at Velieris. Then they card and comb the fibres for worsted, semi-worsted and woollen spinning.

Cashmere connections processes smaller quantities of quality product. They concentrate on local and international niche markets of doona makers and spinners. Their tailored service is key to their ability to process so many different fibres well.

Entering the combing machine

Fibre being drawn into the combing machine

The process

Each kind of fibre is different: suri is dense and slippery; needing carding in small quantities or the machinery jams. Wool and cashmere don’t have the dust issues that alpaca has. Goat and alpaca fibres intended for spinning need dehairing to remove coarse hairs. That cashgora I was wondering about? It’s a cross between cashmere and angora goats.

The machinery at Cashmere connections is deliberately old. New machinery assumes a standardised product and can break fine animal fibres. Older machinery can be adjusted for each fibre type. Trisha even adjusts machinery for each individual batch according to its characteristics.

Before carding, anti-static is added to the fibres. A fine mist of water fills the room that holds the carding machines. The water relaxes the fibres and reduces dust. Fibres come out of carding as a sliver. This is fed into gilling machines three times, or more if suri fibre is being processed. The slowest part of the process is combing, before one last run through the gilling machine.

Exiting the combing machine

Exiting the combing machine. So light and lofty!

The potential

Under a cover in a corner of the workshop, Trisha unveiled a different piece of equipment. It is a repco spinner from the 1960s. Trisha’s been experimenting with is, in the hope she can offer worsted spinning as a service. Its different to other spinners I’ve seen, spinning 2 plys at a time. Trish’s got some lovely sample cones and knitted swatches. The process isn’t to a commercial standard yet. Fingers crossed it will be soon!

Cashmere connections has a small shop on site, but you can also find their products online. They sell beautiful throws and exquisite single fibre and blended tops. You might manage to meet Trisha in person; on occasion she holds a stall at the natural fibres market.

Yarn samples

Yarn samples


Tucked away in an industrial pocket of Braybrook, Velieris manufacture beautiful carpets and rugs. I visited because they offer scouring as a service to other textile businesses.

Fibre first

Rocco, the production manager showed me around on the day. We started in the scouring room, which was piled high with bales of fibre. Velieris buys wool and alpaca fibre from co-ops who gather local fibre in a central location. The fibre is sorted for quality, length and colour at the co-op, then delivered to Melbourne. Velieris also buys fibre from Peru and NZ to make up the quantities they need.

Scoured fibre

Scoured fibre

The company scours for doona and pillow manufacturers, local processers and UK spinning mills. Velieris accept orders between 1000-50kg, which makes their service accessible to smaller players.

Clean it up



Velieris use an eco soap in their scouring bowls. The first four bowls have soap; their water is steam heated. Effluent from scouring goes through their water treatment plant to remove the soap. Some chemicals are used at this stage. They also need to cool the water down before it is released. Their sludge, all the dirt removed in scouring, goes into landfill.

Water treatment

Water treatment

At this stage, if the fibre has been processed for an external company, Rocco bales the scoured fibres up and sends them off. All the carpet fibre moves to the next stage of mixing, carding and combing.

Mix it up

Velieris specialise in luxury naturally coloured products. They use a weighing machine to mix colour ‘recipes’. Eliminating the dying process reduces water usage and retains the softness of the wool and alpaca fibres Velieris use.

Weighing machine (green, on left) and carder (grey box on right)

Weighing machine (green, on left) and carder (grey box on right)

There’s no need for dehairing, because this fibre is destined for carpet. The fibres are sucked into a huge carding machine, then transfered to combers. Melbourne’s manufacturing history feels very close when you’re standing next to these old, but still powerful machines.

Combing machines

Combing machines

The combed fibres are gilled twice to even them out before spinning. I loved watching the fibre snake up into the gilling machine!

The resulting slivers are then spun and plyed into carpet yarn. The yarn is tufted before heading to the loom to be woven into carpet. Velieris do moth proof their carpets, but they are happy to skip this step at the customer’s request.

Weaving it together

Carpet maker

Carpet loom

The carpet loom is a thing of wonder. I couldn’t capture it all in a photo, so I’ll try to describe it. You have the loom up one end of the factory of course, but what you see is more like a yarn blood system. Leading into the loom are about 10 metal frames. Each frame holds about 10 cones of yarn. Each cone of yarn is strung through the frame, to the loom to make the warp. The whole system takes up about 15 square metres. It’s impressive.

Once woven, the carpet gets checked over by hand for any blemishes like loose threads. It’s trimmed to create a neat consistent top, then sent off for backing. Velieris makes the carpet entirely at their Braybrook workshop, except for the latex backing. This is done by an external specialist in Melbourne because it’s cheaper.

Checking for blemishes

Checking for blemishes

Side line

There was one row of spinning machines that weren’t running when I visited. These machines were bought in error – they are fine yarn spinners. Rocco’s been experimenting with them to get a good product to attract a buyer with. He can get a 270 tex yarn. He’s met a group interested in returning fine yarn spinning to Melbourne, but they don’t yet have the skills to use the machinery. Will we see fine yarns in this Fibreshed again one day?

Carpet and fine yarn samples from Velieris

Carpet and fine yarn samples from Velieris

Carding, Combing and Spinning

It’s been hard to twist my head around how scoured fibres are transformed into yarn (pun intended). I knew little at the start of this Fibreshed project. Everyone seemed to have slightly different definitions of the same terms, which confused me further. In retrospect, I think each person I met taught me different parts of the process. I couldn’t see the big picture. It’s not until I came to write this post that it started to come together. Please forgive me if I’m wrong on some points and point me in the right direction please!

What’s in a name?

It’s a bit backwards, but I found spinning easier to understand when I sorted out which yarn type was which:

Woollen – this isn’t just fibre from a sheep, but also a style of yarn spinning. Woollen yarns are warm, airy and soft. They often have a fuzzy appearance. While they’re not hard wearing, they’re perfect for scarves, hats, sweaters and felted knits. Their short fibres align in different directions, making air pockets that insulate.

Worsted – a smooth yarn that is hard wearing and drapes well. The tightly twisted fibres of worsted yarns often have a sheen. They’re used for suits, socks and sportswear. Their long fibres all face the same direction, making them very strong.

Wool skeins

Worsted wool skeins in the Tarndwarncoort wool shop

Simple, right? Until you realise that there’s a subset of yarns, known as semi-worsted. This is the yarn that slunk silently in my spinning conversations, waiting for me to discover its meaning! This is yarn that has been prepared with in a woollen style, but spun with a worsted method. It combines qualities of both yarn types. There’s also a semi-woollen which is worsted processed but woollen spun. This seems to be less common.

n.b. when getting this article proof read by actual spinners, I discovered that the definitions of semi-worsted and semi-woollen are different depending on which spinner you ask. I’ve gone with the definition used by a grower and processor in my local Fibreshed.

Alpaca yarn

Semi-worsted yarns from Wool 2 Yarn

Step by step

So now we’ve sorted out where we’re heading, let’s go back to the beginning. After scouring, fibre may be carded, combed and spun. Which of these steps are taken depends on whether you want to felt, knit or weave with the fibre.

Plant fibres like cotton and hemp have a similar but slightly different process to what I outline below. There is equipment to do this with the Melbourne Fibreshed, but I haven’t been able to see these in action yet. I’ll update this post when I know more.

flow diagram of the carding, combing and spinning process

The carding, combing and spinning process

Some processers add water and/or anti-static before starting. The water relaxes the fibre and reduces dust. The anti-static goes a step further to reduce the build up of static during the process, which can break the fibres.

Dehairing – Alpaca, goat mohair and cashmere all have long scratchy fibres mixed in with the softer fibres we prefer to use for clothing. They can be removed by hand, but most people use dehairing machines instead. Unfortunately this ends up as a waste product in the process, because the result is usually mixed with grass seeds. If you can think of a use for it, there’s a lot of fibre processors who’d like to hear your ideas.

The dehairing machine

A dehairing machine: the bin at the front holds the smooth fibre that comes out at the end of the process

Mixing – if the yarn is made from a blend of different fibres, it’s often mixed at this stage. Mills work to ‘recipes’ where fibres are measured by weight, then spread out on top of each other in layers. Chunks of this mix are separated out for processing, helping to keep the ratio mix consistent. With hand processing, staples of fibre are spread out in even layers on a hand or drum carder.

Carding – fibres are often a bit clumped after scouring, so this step opens the fibres up. Carding also removes a little bit of vegetable matter. This is where the process begins to split according to what you’re aiming for. There are woollen carders and worsted carders. The slivers that come off the woollen cards are ready for spinning. Worsted cards begin to align the fibres a little bit before moving on to gilling. 

Carding machines look super cool, with their rotating drums with wires at different lengths. This part of the process seems to be proprietary, so I can’t show you any photos of a carding machine in action. Luckily, hard carders are less shy of paparazzi.

Gilling – carding shakes things up a bit, so the fibre is usually gilled several times. Gilling machines ensure the worsted sliver is a uniform weight throughout. They also further align the fibres.

Gilling machines are the swans of the process – they take the slivers up gracefully. All the work happens where you can’t see it inside the machine, so it looks like magic.

Combing – this is the slowest part. Combing straightens out the fibres, and removes the shortest ones (the waste from this process is fed back into the woollen process, which uses short fibres). After combing, all the fibres are well aligned with each other, and more vegetable matter has been removed. It’s gilled one last time, then passed to felters or spinners as a finished top.

Exiting the combing machine

Fibres exiting the combing machine

Spinning – The woollen sliver or worsted top is condensed into thin roving. This is drawn out and twisted to create a single ply of yarn. To hand spin woollen yarn, the roving is rolled into rolags. It’s then drawn out and spun using a longdraw drafting technique. To hand spin worsted yarn, the roving is drawn out and spun using a short drafting movement. A man’s jumper requires about 1kg of roving. I’ve been told that this would take most hand spinners about 6 days to spin.

A single ply yarn can be used as is, but it is often plyed to increase its strength and stop it twisting in on itself. Spinning creates tension in the fibres, so the yarn is steamed or rested to release that energy.

The state of the industry

The majority of large mills in the Melbourne fibreshed don’t produce local yarn anymore. There are several mini mills that produce semi-worsted yarns for hand knitting and crochet.

Weaving requires a thinner yarn. Waverley Woollen Mills in Launceston produces woven products from carded fleece, spinning fine yarn in the process. The only processors spinning fine yarn in Australia that I know of are Paddock to Ply in Queensland and Certton in Sydney. 

Where does spinning happen in Melbourne?

Cashmere connections, Western district

Fibre Naturally, Dandenong ranges

Velieris, Melbourne

Wool 2 Yarn, Mornington Peninsula

Great Ocean Road Mill, Warnambool


Boston Fine Fibres, Queanbeyan

Echo Beach, Mount Barker

Bendigo Woollen Mills, Bendigo

Australian Country Spinners, Wangaratta

Creswick Woollen Mills

First Edition Fibre and Yarns, Euroa

Goldfeilds Mohair Farm, Bookham


I’d been given a contact name and an address to visit but had no idea what to expect. It turns out I’d been directed to Wool2Yarn’s factory shop and fibre mill. They’re located close to the Nepean Highway.

Let’s go shopping

The factory shop is welcoming and inspirational. The space is like a trendy store: full of beautiful products, without feeling cramped. They sell yarn (pure alpaca or blends), Gotland sheep roving, and a range of beautiful hand knits made locally. I would love the little grey capelet in the photo below for myself! The range of yarns includes Salvation, which incorporates fibre reclaimed from the milling process. Knit kits provide all you need to make a garment in one convenient package.

The factory store at Knit Alpaca

The factory store at Knit Alpaca

Get to work

Best of all was visiting the workspace at the back where all the fibre mill equipment is! Belinda runs this workshop with her husband Alasdair. They were alpaca farmers and they’ve poured this wealth of knowledge into the  mill. I was intrigued that Belinda can tell if an animal has been sick. A sick animal’s fibre will break during spinning.

I got to see the dehairing machine remove scratchy guard hairs from the fleece. Belinda keeps trying to find another use for these waste guard hairs. There’s so much vegetable matter in the fleece, they’re only good for reseeding grass! Next up was the carding machine. It has a fascinating range of different brushes to align the fibres.

Machine spinning yarn

Single strand yarn winding on the spindle

At this stage Belinda separates out tops for the felters and hand spinners. The rest are drawn out into rovings for the spinning machine. She will spin strands back onto themselves in different combinations to make multiply yarns. Last step is the steaming machine. This relaxes the fibres after all the ‘excitement’ of spinning. I couldn’t work out how to photograph this curious contraption. It consists of a thin tube on one end, which the yarn gets sucked into. The yarn is then connected to another tube a few meters away to complete the process.

Alpaca yarn

My first alpaca yarn stash!

The yarn is wound onto a cone for machine knitters. Hand knitters can choose from twisted skeins or rolled balls. I took home some of their single balls. They’re small, but proving to be good inspiration!

Fibershed community: Visiting the Handweavers & Spinners Guild of Victoria

I never knew there was a Handweavers and Spinners Guild in Victoria. I had assumed the little shop front near my home with hand knits displayed in the front window was the local yarn store. Not knowing where to begin with my Fibershed project, I decided to start here and see if they had any advice for me.

What’s inside?

The shop is set up in several different layers – there is the members’ gallery/shop area at the front where pieces made by their members are displayed and available for purchase. Directly behind that is a space available for many of their guild’s gatherings; there was a weaving group working there during my visit.

I was amazed at the range and diversity of groups that the guild supported. They have spinning and weaving groups of course, but also natural dying, tapestry and Japanese braiding. A kind volunteer took the time to introduce me to all of their activities, including their yearly retreat in Harrietville, the much anticipated Textile Bazaar (a rummage sale of second-hand yarns and equipment donated to the guild) and regular classes during the year in installments and held as intensives during summer when country members are more likely to be able to join in.

But wait, there’s more!

Beyond the first couple of visible sections, the shop revealed far more than I’d been able to see from the street: behind a partition on the left, there was a gallery area for temporary exhibitions. At the time I visited it was full of textiles from Bhutan, but I have to go back because the current display is of socks in all different designs.

Along the back wall there was a members library full of books, periodicals, newsletters, videos, DVDs and slides. There was also a doorway to a back room, which I think had sink facilities for the natural dyeing group.

On the right behind another partition, there is a resources shop with some balls of wool like I’m used to, but also spinning tools, dye bottles, resource books and tops. Now, here is where I had to learn something, and the knowledgeable shop manager helped me out. Tops are fleece that has been shorn and trimmed down to the best fibre. They can be bought washed or unwashed, dyed or in natural colours. They’re your starting point for spinning or felting and so naturally the guild’s store was full of a variety of tops!

Talking to those who know

I got confirmation that there are wool growers in Victoria (and the far east of South Australia, within the boundary of my project) whom I could buy tops from. The store manager explained that the wool needs to be scoured (washed) to remove oils, lanolin and dirt. There is only one commercial scourer in Victoria (it seems like wool mills might have their own though?) and you need to have a licence to scour wool because it can be quite a polluting process. I’ll also then need to get my top carded (brushed).

The guild members I spoke to suggested I look into felting, otherwise I’ll need to get the fibre spun into yarn for weaving or knitting/crochet. It’s food for thought, and I have very little experience in knitting and weaving, and none at all in felting or spinning so perhaps I can work with some guild members on this project.